An interview with Kathy Bostrom
Kathy Bostrom, recipient of the Presbyterian Writers Guild’s 2014 David Steele Distinguished Writer Award and other prestigious writing awards, has published numerous articles and more than three dozen books, most for children. Her books have sold several million copies and have been translated into 17 languages. Bostrom served as pastor of Wildwood Presbyterian Church in Chicago Presbytery for 22 years and now lives and writes full-time in Carlsbad, California. She responds to 3 questions asked by the Presbyterian Writers Guild:
- Whose writing has most influenced your work?
Frederick Buechner’s elegant and eloquent storytelling and his imaginative way of sharing biblical stories and concepts captivates me. I’ve read nearly everything he’s written, attended his lectures, and even had the audacity to hand him one of my early essays and ask him to read it. He sent it back to me with comments. I cringe to think how nervy I was, but he was so gracious and kind that I have resolved to always treat writers who approach me for help with the same spirit.
Barbara Brown Taylor was a later addition to my repertoire, but I poured through her sermons when I served as a pastor. As I now focus on my vocation as a writer, I’ve been drawn to the honesty and depth of her memoirs. I read Leaving Church for the second time when I found myself struggling with leaving ministry to devote myself to writing.
Katherine Paterson, as a writer and a person, has been my muse for writing children’s books. I interviewed her for a book I wrote on Newbery Medal authors and will never forget her willingness to give her time to a newbie author. We’ve kept in touch sporadically over the years and she is consistently gracious. Her love for children and for writing about tough and painful issues, even in the face of criticism, inspires me and makes me proud to be an author of children’s books, too.
Even though I’ve given up the dream of being The Next Frederick Buechner or Barbara Brown Taylor or Katherine Paterson, they have all inspired me to be Kathleen Long Bostrom, writer in her own right.
- In what ways has writing for children inspired your own faith?
I love the spiritual depth of children. They have an awareness of the divine that leaves me in awe. They aren’t yet jaded by the world, nor are they afraid to ask questions. My Little Blessings series with Tyndale began with a question a little girl at church asked me one Sunday morning: “Is God a boy or a girl?” I put a lot of thought into that answer, which became my first accepted book, What Is God Like? It’s been a great exercise for me as a pastor and writer to try to convey theological and spiritual truths for 6-year-olds. It’s made me think through my own understanding of faith.
We have much to learn from children. They are so resilient! They accept the traumas of the world far better than adults. They recognize death as part of life. They ask questions. They embrace the moment. Children embrace God, and the world, with open arms. They are my greatest inspiration in writing and in my faith journey.
- Do you have a vision for the Presbyterian Writers Guild?
The Guild has been a major part of my life as a writer, from introducing me to my first editor and my current agent, to encouraging me along the way, to honoring me with the David Steele Distinguished Writer Award in 2014. I count many of the Guild board members as my friends.
Vic Jameson, one of our deeply beloved Guild members, honored us with a bequest in his will that truly saved us as an organization. We are in a healthy place now. Our work continues to unfold as society changes and we are trying to stay current and viable. We seek ways to connect with new writers and encourage those who seek publication. Conferences are valuable but expensive to run and to attend, so we are trying to discover other ways to be a visible presence. We need to keep coloring outside the lines and trying new ventures. My vision is that in decades to come, the PWG will be strong and vital and visible. It’s up to all of us who are members to make this happen for future generations of writers.